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Edward Sorel
Edward Sorel (born Edward Schwartz, 26 March 1929, the Bronx) is an illustrator, caricaturist, cartoonist, and graphic designer whose work is known for its storytelling, its left-liberal social commentary its criticism of reactionary right-wing politics and organized religion. Formerly a regular contributor to ''The Nation'', ''New York Magazine'' and ''The Atlantic'', his work is today seen more frequently in ''Vanity Fair''. He has been hailed by ''The New York Times'' as "one of America's foremost political satirists".〔Grimes, William. ("Art; The Gripes of Wrath: 25 Years of Edward Sorel" ). ''The New York Times''. (May 16, 1993).〕〔"The Masters Series: Edward Sorel". ''Visual Arts Journal''. Fall 2011. School of Visual Arts. Page 32〕〔Birnbaum, Robert. ("An Illustrated History" ). ''The Morning News''. (June 25, 2009)〕 As a lifelong New Yorker, a large portion of his work interprets the life, culture and political events of New York City. There is also a large body of work which is nostalgic for the stars of 1930s and 1940s Hollywood when Sorel was a youth. Sorel is noted for his wavy pen-and-ink style, which he describes as "spontaneous direct drawing".〔("Edward Sorel," Hall of Fame biography )〕
==Early life==
Sorel grew up in the Bronx, son of Jewish immigrants.〔 His father was a door-to-door dry goods salesman, while his mother worked full-time in a hatmaking factory.〔 Sorel became serious about drawing when a case of double pneumonia confined him to bed for nearly a year.〔 He attended the High School of Music and Art, and graduated from the Cooper Union in 1951.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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